Words and pictures, tangentially related.

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    They say that academics are insanely competitive because the stakes are just that low. I say that the main reason I’ll never make much of an academic is less my insistence on application or my massive personality disorders, and more my fundamental irreverence. Sooner or later, if I tried to make it as a serious academic, I’d call the wrong stuffed shirt on his utter intellectual bankruptcy, I’d make burgers out of the wrong sacred cow, or my hobby of adopting entirely untenable attitudes or methodologies simply to see if they can be used will become public. I do things that are not meant to be taken seriously, but I do them in the best serious manner, and this is not appreciated by those who participate in the cultures I gently mock.

    What I’m saying is, eventually someone is going to find a copy of my paper, “Silver from the Furnace: Milton and the Perpetual Revolution,” in which I read the poet and political activist as a proto-Maoist with a religious bent. They are going to ask questions about this paper, and when I (truthfully) reply that I took this bizarre position simply to see if it could be legitimately pursued, to see if it worked as an avenue of scholarship, they are not going to be happy. Incidentally, judging from the grade I received on the damn thing, the approach (while bizarre) was at least internally consistent and intellectually rigorous. Do I actually think that Milton had much of anything to do with Mao? of course not. That wasn’t the point: it was a thought experiment, a challenge, a laugh. And, unfortunately for my future in the humanities, it was a laugh at the expense of academics. And most of my work, to a greater or lesser degree, has been just that. Put simply, academia takes itself seriously, and I don’t.

For reasons which are both too complex and too boring to report, I’ve been confined to a semi-solid diet for more than a week. Yesterday, I had the opportunity to buck that particular trend, and I took it. Normally, I don’t remember meals long enough to tell people about them, much less record documentary evidence and post about them, but in this case I’ve made an exception.

Behold, my lunch. Garlic bread, turkey pastrami, swiss cheese, honey ham, swiss cheese again, 4 slices of bacon. All toasted and melted and delicious. This is what happens when I’m left alone with the leftovers. On a related note, I think this may be the first non-pb&j sandwich I’ve eaten without mustard in years.

Eaten while typing up a study bibliography to accompany this week’s topic. Graduate school, people. Adventure all the way.

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I just realized how much time and energy I have so far spent, and am likely to continue to spend, reading, digesting, and reviewing (regurgitating?) the works of others. I don’t see this trend ending soon. Thankfully, I’ve had the privilege of reading some revelatory and mind-expanding works, and I like to think my little slices of scholarship succeed in their tasks of analysis and secondary meaning creation.

Still. There have been occasions, many of them, when I have worried that the best things I’ve ever written, or will ever write, are glorified book reviews. Even my works of original scholarship plague me in the dark hours of the night, when they return as hollow ghosts, filled with quotations strung together, threadbare and derivative, hiding their lack of substance.

This may explain why I’ve been writing stories (and the first installment of an actual epic- 24 books, one trip to the underworld, no waiting) in the notebooks I carry with me everywhere, which my professors may or may not believe contain my thoughts on the material we’re covering. These are graduate courses: there won’t be a test. Just papers to write, which I’m trying to convince myself will not sap my potency, masturbation-like (falsity, myths, resonance), but rather exercise a different part of my creative genius altogether.

One hopes.

After dark, around 8 and D.

Windshield wiper, RI Ave.

Something to consider.

Something to consider.

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     There is no such thing as History. The whole catalog of human experience is a series of events, of infinite interconnections, which can be seen and studied, learned and analyzed: it is not a driving force pointing toward a goal, or an end. If time allows progress, it is by creating a space in which human beings can learn, and no inherent quality of actions occurring in sequence. History does not necessitate: it has no Will, and cannot determine anything. Human beings are not agents of History, traveling on paths laid out and using methods dictated by History: these are lies told often enough to be believed, to become internal truth, but they do not change the fact that history is a discipline, an avenue of scholarship, and not a material or metaphysical force. History demands nothing, dictates nothing, determines nothing. Events pile up, one on another, a causal chain full of actors and choices, and may be diverted at any time by a thousand means, some human, others less personal: weather, luck, the laws of physics.

     There is no progressive course which History must take: when its arc bends toward justice, it is because human beings have the ability to learn from what has gone before, to recoil from horror, to adapt ideas, to mentally evolve. Change requires time, but time does not dictate change. The cult of telos, of History, is a false faith driven by fear, ambition, conviction, and all the other emotions which have guided human beings along paths of faith for millennia: that it is a secular religion, founded on philosophy which claims to be scientific, does not differentiate it from those which have placed power in the hands of an unseeable god, and it is all the more bankrupt for its concrete examples which, once banished, leave not even the lingering trace of possibility which deism retains. History is not going anywhere. Where humanity goes, it takes itself; the final responsibility, for good or ill, lies with us.

Look closely. Something about this building is not all it appears.

Look closely. Something about this building is not all it appears.

Mechanical Sweetheart #1, mixed media

Mechanical Sweetheart #1, mixed media

The second postcard single for the fake band I’m writing a book about.

The second postcard single for the fake band I’m writing a book about.